“I think everybody knows a Big Momma,” says Lawrence. The fun continued with a follow-up, “Big Momma’s House 2.” Audiences around the world responded to star Martin Lawrence’s bigger-than-life portrayal of a matriarch who lets nothing and no one – not even the most hardened criminals – get in her way.īig Momma resonated with all audiences of all ages, no matter where they lived.
#BIG MOMMAS HOUSE LIKE FATHER LIKE SON CAST MOVIE#
When the character of Big Momma was introduced to movie audiences in 2000′s “Big Momma’s House,” the film became a global box-office sensation.
Rios, Doubleday and Ang will play students at the school who befriend Jackson’s character. roadie who becomes smitten with Big Momma. Love will play Kurtis Kool, a school security guard and former Run-D.M.C. Jackson) go undercover at an all-girls performing-arts school to unmask a murderer. Posing as Big Momma and as hefty coed Charmaine, they must find the murderer before he finds them.īig Momma (Martin Lawrence) and Charmaine (Brandon T. Turner is joined by Trent, as they go u ndercover at an all-girls performing arts school after Trent witnesses a murder. Martin Lawrence returns as FBI agent Malcolm Turner and as Turner’s deep-cover alter-ego Big Momma. I wonder if Whitesell has actually ever met a woman.Big Momma is back – and this time he has big backup: his teenage stepson Trent. Coincidences such as the school’s sudden need for a new house mother are easily cast aside in the face of the film’s overt misogyny, which posits that human females are mysterious, even alien creatures who regularly engage in such rituals as “jumping around in their negligees” and casually disrobing in front of one another: If only men really knew what women get up to! John Whitesell doesn’t so much direct the movie as throw a juvenile cinematic tantrum, yet one that - in the most bizarrely self-contradictory way - believes it is demonstrating a worldly wisdom about revealing secrets of womanhood to which only he is privy. The duo are hiding out from bad guys in an all-girls’ art school, where a vital piece of evidence may also be hidden. Jackson: Lottery Ticket), a feat made dismissingly easy because fatsuits that unconvincingly turn rangy teenaged boys into plump teenaged girls are readily available for sale at your local shopping mall. Joining him this time is his 17-year-old stepson (Brandon T. I generously presume that all involved here are self-aware enough to feel remorseful when cashing their paychecks, and surely had to have been cognizant of what utter dreck they were flailing around in, but that only raises more questions, such as: Have they no shame? Martin Lawrence’s ( Death at a Funeral) FBI agent once again goes undercover as “Big Momma” - other characters actually call her that, and no one appears to believe this odd then again, they entirely fail to notice that she appears to be Martin Lawrence in an awful makeup job, wearing a dreadful wig. Big Momma is back, the question is: Why? In the name of all that is decent and thoughtful and pleasant, why? Was there some nuance of humor and commentary on the human condition to be found in an idiotic actor dressing up in an old-lady fatsuit that had not already been fully explored in Big Momma’s House and Big Momma’s House 2? Of course not, because those films bothered not with such matters in the first place.
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